Melody Sheep for PBS Digital Studios


In my world, Mr. John Boswell aka Melody Sheep, is the only person officially licensed to use auto-tune.  His Symphony of Science series hit the internet by storm a couple years back, but I feel his most recent work for PBS Digital Studios is his best yet.

Usually when you encounter auto-tune in the wild it’s on some teeny-bopper radio station playing fluff music with absolutely no redeeming value whatsoever. But in Boswell’s case, he masterfully crafts powerful pieces of music and video that work together to inspire and motivate.

My grandmother had stacks of Bob Ross VHS tapes when I was a kid and I spent many hours of my youth watching Mr. Rogers do his thing on TV. Those were special times. These videos are just the shot in the arm I need some days when I’m running low on inspiration.

Star Wars: Planet of the Hoojibs Read-Along Adventure

Star Wars: Planet of the Hoojibs

Remember Read-along Adventures? I sure as hell do. I had a few back in the day, and they were totally rad. The books were often wonderfully illustrated and the records or cassettes, albeit a bit cheesy, were always energetic and entertaining. A perfect mix for the imagination. While posting the ‘Read-Along’ cover images of the Star Wars Trilogy over on Collect ‘em All, I came across The Further Adventures of Star Wars series by Buena Vista Records. Specifically, my absolute favorite Read-Along Adventure of all-time: Star Wars: Planet of the Hoojibs.

As I listened to it for the first time in about 30 years, I was immediately transported back to my 7-year-old self laying in bed at night, scared to death of the hideous Slivilith monster as its screams echoed out of my cassette player. Sad to say, that thing still scares the pants off me.

For me, my favorite part of Read-Along Adventures was filling in the gaps between pages using my own imagination. Glad to see after all these years, it still is.

Thanks to whoever uploaded this to YouTube, give it a listen and check out that artwork by Greg Winters! Beautiful stuff, man.

Classic Sci-Fi Novel Covers

If you’re anything like me, nothing gets you’re imagination working overtime quite like classic sci-fi and fantasy illustration. It’s a bittersweet experience to delve into the intricate work that used to go into everything from movie posters to book covers; these days this kind of craftmanship is few and far between. While exploring for just such imagery, I fell face-first into a Death Star sized Flickr Pool full of classic sci-fi novel covers. Some really wicked art in there, worth a look if you have some time on your hands.

Back in grade school I used to grab a few of these things in the library and give them a read, the covers always sucked me in and the stories, oftentimes, didn’t really live up to the art on the cover. I found that if I filled in the plot holes on my own, I could make an otherwise lackluster story better. The cover art was the spark, I was able to run with it and create the rest of the visuals in my mind. It’s like when I browse for inspiration today; I find a jumping-off point and then take it the rest of the way myself.

Vintage Computer Magazine Covers

Computer Magazine : February 1975

Vintage magazines fascinate me, they’re like paperback time capsules. Ones that focused on technology or computing are particular favorites of mine. The cover shown at the top of this post is central to a hazy memory I have from when I was a child. I can’t remember where I saw it, but I’m assuming by the date on the cover that it may have been in the school or public library. My memory didn’t come complete with the magazines’ title, so it took few specific Google searches to track it down. Fittingly, the name of the magazine was simply: Computer. 

According to the IEEE Computer Society, Computer has been their flagship publication for over 40 years. Out of the entire run, most of the late 70′s and early 80′s covers had the best art direction by a country mile. I wrangled a bunch of them over here to share, but you can see view all the back issues in their entirety on the IEEE Website.

In a time when computing was such an exciting new frontier, these covers really captured the imagination. The covers seemed so alien and mysterious to me as a youngster, but that’s really what was so great about them, and the reason they made such a lasting impression.

Computer Magazine : February 1971

Computer Magazine : April 1971

Computer Magazine : October 1971

Computer Magazine : May 1976

Computer Magazine : October 1976

Computer Magazine : November 1976

Computer Magazine : July 1977

Computer Magazine : September 1977

 

Computer Magazine : August 1979

Computer Magazine : May 1979

Computer Magazine : November 1980

Computer Magazine : June 1983

Remembering Ralph McQuarrie

Ralph McQuarrie 1929 - 2012

Yesterday the world lost a visionary artist and tremendous human being in Ralph McQuarrie. He has been an inspiration to me since my very earliest years, his unparalleled work on the original Star Wars trilogy was the first to take hold of my imagination and transport it far, far away to another galaxy. He is now, and always has been, a true hero of mine. This one hurts, he will be greatly missed.

I came across a folder chalk-full of McQuarrie’s Star Wars paintings and sketches Friday night while doing some much-needed file organization. I said to myself, “I really need to do a post about him” and put it on my to-do list. Little did I know that less than 24 hours later he would be gone and I’d be writing that post in his honor.

Ralph McQuarrie, for all intents and purposes, designed the look of Star Wars; from the characters and space ships, to the exotic worlds. He worked directly with George Lucas on the original Star Wars film starting in 1974 and met with him regularly to go over character sketches and concepts. The set designers, model makers, and makeup artists all took their cues from McQuarrie’s artwork.

“I would say that a lot of what you see on film was already set. The production department used my paintings as reference, the special-effects department worked from the paintings that I had done as well. So a lot of my designs were realised on the screen.

“It was a nice feeling to see all my work on the screen, even if it didn’t match my concepts exactly as I had envisioned them.”

Of course, McQuarrie also designed Darth Vader’s iconic mask, even though the early version was much more menacing than the final product. Here’s a little insight into how it came to be:

“George had described Vader as having flowing black robes. In the script, Vader had to jump from one ship to another, and in order to survive the vacuum of space, I felt he needed some sort of breathing mask. George said ‘OK’, suggested adding a samurai helmet, and Darth Vader was born. Simple as that.”

I was only about a year old when Star Wars hit the big screen in 1977, and my first memories of a movie theater are almost exclusively of Star Wars and the Empire Strikes Back. I recall how different things worked back then, there was no VHS and barely any cable television to speak of, so the only way to watch a major motion picture was to do so in a theater while it was showing. Because of the overwhelming demand, both Star Wars and Empire Strikes back were continually re-released to theaters and I made my dad take me more times than I’m sure he would have liked.

Anybody who was a kid during this time will tell you that it was ALL about Star Wars; toys, comic books, novels, read-along adventures, lunch boxes, you name it.

I have some hazy memories of Star Wars novels that an older friend of mine had at his house. Specifically one entitled, “Splinter of the Mind’s Eye“, for which McQuarrie painted the cover. Everything about his cover creeped me right out, but I was transfixed by it. It was so dark and so mysterious I couldn’t get its image out of my head. The book’s title, the ominous silhouette of Darth Vader, Luke and Leia laying helpless before him, the misty trees and crumbling ruins, and that strange glowing orb; what the heck was going on?!

My friend refused to let me borrow the book, and so I never got to read it. But that played directly into my personal mythology about it. I remember dreaming up scenarios that got Luke and Leia to that wooded planet and how the came to be at Vader’s mercy, answering questions that came up along the way with my own answers. Why was Vader alone with them in the woods? Where were the Storm Troopers? What are those ruins from?

It launched my imagination into hyper-drive and I loved every second of it.

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The Art of J. C. Leyendecker

I admit to having a ‘thing’ for vintage large format magazines. Over the years, I’ve amassed quite a collection of these oversized periodicals; Esquire, Time, and the Saturday Evening Post to name a few. Out of the entire collection, the Saturday Evening Posts stand out the most due in large part to the stunning cover artwork of J.C. Leyendecker.

Leyendecker was one of the pre-eminent American illustrators during the late 19th and early 20th Centuries in what is called the Golden Age of American Illustration. His strong illustrative style often mixed fantasy with realism; like adding butterfly wings to people or depicting real people interacting with fictional characters. He also had a remarkable knack for combining areas of meticulous detail with large areas of negative space. His clever narrative intelligence and compositional prowess were second-to-none.

During his epic run on the Post, he made an indelible mark on Americana by inventing the New Year’s baby and popularizing the pudgy red-garbed rendition of Santa Claus. He also introduced the iconic traditions of flowers on Mother’s Day and fireworks on the 4th of July. Not too shabby.

Even with his stellar body of work and distinct contributions to American culture, Leyendecker is not well-known to today’s general public. Instead, much of his legacy has been lost in the shadow of his successor on the Post and close friend, Norman Rockwell.

Rockwell idolized Leyendecker, evidenced by his early work being derivative or thematic reinterpretations of his work. A perfect example of Rockwell’s respect for his mentor was his decision in 1963 to end his cover run on the Post at 322 issues, the same number Leyendecker finished with, as an homage to his hero. I think that says it all.

Personally, I have studied Leyendecker’s art in earnest for weeks and have learned a great deal from it. This is the kind of work that modern-day designers should be studying, but often don’t. Leyendecker breaks down design to its bare principles and puts them on display. Examining his artful execution and crisp technique would do any artist or designer some good.

Also: There’s something else about these Saturday Evening Post covers that brings a smile to my face: the interplay between the artwork and the magazine titles. Positioning the art in front of, or on top of, the magazine title really creates a strong and dynamic image. It also shows me the sheer amount of confidence that the editors had in their brand at the time. This is something that is seldom seen these days; with the glut of insecure brands out there it would be pretty tough to get away with this type of direction consistently.

PressPausePlay

PressPausePlay is a documentary film by Stockholm based Creative Agency, House of Radon. It examines the digital revolution of the last decade and the unprecedented amount of creativity and opportunity that has sprung from it. The film poses the question: Does democratized culture mean better art or is true talent instead drowned out?

No matter what your answer to this question may be, it surely opens the door to an interesting conversation on the ever-evolving state of today’s creative culture.

Sears Wishbook

The minute the Sears Wishbook landed on our doorstep, the Christmas countdown had officially begun. My brother and I would spend weeks leading up to the big day sifting through the Wishbook, JCPenney’s, and Montgomery Ward catalogs; circling everything we wanted that year. Needless to say, those books were in pretty rough shape by the time Christmas eve rolled around.

I love reminiscing about those days when things were so much simpler and my imagination was on hyper-drive. The sheer anticipation of Christmas morning is something I definitely miss these days, nothing has really ever come close to that feeling.

James White came across this amazing Flickr page full of hi-res scans from Christmas catalogs, these are a few of my favorite pages from when I was a youngster. Enjoy…have a Merry Christmas everyone!